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Éste es un artículo escrito por «AP» @ eluniversal.com.mx

Maxi Sopo llevaba la vida soñada de un fugitivo internacional: pasaba momentos relajados en las playas de Cancún durante el día, y salía de fiesta a las discotecas en las noches.

Luego, tomó dos decisiones no muy sabias para alguien que está huyendo de las autoridades: empezó a actualizar su página de Facebook con mensajes sobre cuánto se estaba divirtiendo, y luego agregó a un ex funcionario del Departamento de Justicia a su lista de amigos en la red social.

Por esa falta de mesura, el joven camerunés de 26 años está ahora en una cárcel de la ciudad de México, donde espera ser extraditado a Estados Unidos para enfrentar cargos por fraude bancario.

Los fiscales federales dicen que Sopo y un cómplice obtuvieron más de 200 mil dólares de manera fraudulenta de bancos y cooperativas de crédito del área de Seattle.

»Estaba publicando mensajes sobre lo hermosa que es la vida y cómo la estaba pasando bien con sus amigos», dijo el vicefiscal federal Michael Scoville, quien participó en la búsqueda de Sopo.

»Definitivamente, no estaba viviendo de la manera que queríamos que viviera, dados los cargos que enfrentaba».

Aún en el mundo de revelaciones que son las redes sociales en internet –donde la policía busca a menores de edad consumiendo alcohol en fotos de Facebook o a protagonistas de disturbios en videos de YouTube–, es raro que un fugitivo ayude tanto a los investigadores.

Sopo escribía en sus actualizaciones que estaba »viviendo en el paraíso».

»¡¡¡LA VIDA ES MUY SIMPLE, REALMENTE!!!», escribió el 21 de junio. »PERO ALGUNOS DE NOSOTROS, LOS HUMANOS, LA VOLVEMOS UN LIO… RECUERDEN QUE SOLO ESTOY AQUI PARA DIVERTIRME, FIESTAAAAA».

Sopo, quien llegó a Estados Unidos alrededor del 2003, primero se ganaba la vida vendiendo rosas en las discotecas de Seattle, pero luego _dicen los fiscales_ se pasó al fraude bancario. Al parecer, se fue en un auto de alquiler a México a fines de febrero, al enterarse que los agentes federales estaban investigando sus presuntos fraudes.

Meses después, el agente del Servicio Secreto Seth Reeg lo encontró en Facebook. Su perfil era privado, pero su lista de amigos no y uno de ellos tenía antecedentes en el Departamento de Justicia.

El ex funcionario le contó a Scoville que conocía a Sopo de las discotecas de Cancún y que no sabía que era fugitivo de la ley. Luego, averiguó dónde vivía Sopo y le dio la información al fiscal, quien la transmitió a las autoridades mexicanas.

Sopo fue arrestado el mes pasado. Estaba viviendo en un lindo complejo de departamentos, trabajaba en un hotel y vivía de fiesta en las playas, piscinas y discotecas de la ciudad turística, dijo Scoville.

Junto con un cómplice que ya fue hallado culpable, Sopo está acusado de engañar a bancos con el fin de obtener préstamos para compras de automóviles falsas. Si es declarado culpable, podría ser condenado a 30 años de prisión.

Éste es un artículo publicado por Katie Hillier @ adage.com

Buzz over New York’s 2009 Mercedes-Benz Fashion Week is growing and the world’s top designers are taking center stage, introducing their long anticipated collections. This is how the fashion industry has operated for nearly 100 years: Designers secretly produce the fashions that they feel are most relevant to their lines, and retailers decide what items are most relevant to their customer base. But the fashion industry is at the verge of a tipping point — one that could change this system forever.

Social media has deconstructed the traditional means of communication between retailers and consumers by adding new channels for discussion. A designer can communicate with her audience on a moment-to-moment basis through sponsored Facebook groups and fan pages, online chats, Twitter feeds, Flickr, YouTube and new social shopping channels that facilitate two-way conversations. Meanwhile, the fashion industry’s main source of advertising, the monthly glossy, is experiencing sharp declines in ad sales this year — some down 47 % for the famed September issue, according to Forbes. If designers want to stay relevant, they need to drastically diversify their traditional communication patterns and join the online conversation.

Research analyst Peter Kim created a wiki of the top 500 companies with active social media outreach strategies. Sadly, only one fashion designer, Costume National, was listed. The wiki is currently on its third list of 500 companies using social media, but of all the campaigns listed, retailers represent only 22% of companies and fashion designers represent less than one percent.

Undoubtedly, social media’s transparent culture has been a challenge for the notoriously secret fashion industry. «There is some hesitation to reveal a line too soon for fear of being ripped off,» says Nicki Vasquez, a former COCCHIA designer. «In order to keep our exclusivity, designers need to keep themselves ever so slightly at arms length.»

Rachel McCarthy-Moya, creator of the fashion blog Youthquaker, agrees with Vasquez: «It’s an accessibility issue where designers don’t want to make their clothes easily available,» However, says McCarthy Moya, «There is a fine line — designers don’t want to be over exposed, but they also don’t want to fade away.»

With 3.7 million unique visitors a month, cutting-edge fashion site Polyvore is an exception to the rule. Recently Polyvore partnered with avid twitter-er and designer Tory Burch in a contest where fans created collages inspired by Venice using items from her latest collection for a chance to win free clothes and a vacation. This campaign generated over 100,000 page views and made Tory Burch the No. 1 brand on the site.

«Fashion is all about visual merchandising … users on Polyvore are influencing a lot of people and social media creates a unique opportunity [for brands] to connect with these influential people,» says Jess Lee, VP of Product Management for Polyvore.

Other sites like Threadless, Ryz and, now, the new crowd-sourced fashion label Exuve are testing the limits of the fashion industry by selling clothing designed and voted on by crowds. In each case, customers are part of the design process from beginning to end.

Here are six social fashion sites that every marketer worth her Prada handbag should be familiar with:

Shopflick
Shopflick combines videos and shopping to create a truly unique online fashion and shopping experience and social community. The site draws from a strong network of indie and up and coming designers to provide shoppers the ability to find cutting edge, unique items and to helps brand touch base and engage with current and new customers through branded online stores, video commerce widgets and much more.

Us Trendy
UsTrendy is a place where designers can post their portfolios, fans can judge them and then each season a collection is chosen using the most popular styles. Its tag line is, «…today’s inspiration… tomorrow’s trend…» UsTrendy produces the popular clothes and hosts events. They provide interaction and showcasing opportunities to designers, artists, models and fans through galleries, industry exposure, events and social networking connections. The site is a mash-up of Etsy.com and Linkedin.com.

StyleCaster
StyleCaster is looking to become the future site of online fashion through optimized fashion advice that is targeted to each user. This is the Amazon of fashion sites, where with every click they get to know you personal preference and taste, thereby giving you educated advice and marketing. This site is a mash-up of social network, editorial content and shopping and has just been given 4 million in funding.

Sense of Fashion
Sense of Fashion is the marketplace for upstart fashion designers, fashion lovers and sellers. It has an eBay-like capability for people to sell their fashion, shop or interact in their social network. Fans can show off their individual styles, favorite brands or even do e-commerce. Their goal is to connect designers with the very people who may inspire them, to also provide a platform for users to show off and sell their merchandise.

Est.Today
Est.Today is a fashion site for tweens that gives young girls the ability to design, display and purchase their own clothes. With personal creativity being the most stylish accessory this season, and now that young girls are paving the way for many new trends today according to a recent article in British Elle, this site capitalizes a the younger generations need for individual creativity.

Style Hop
StyleHop combines fashion and gaming to provide users with a fun rating system to decide on the popularity of branded styles. It incorporates yelp-like functionality to provide viewers information on popular sweaters and shoes for certain cities. Brands are given visibility though outfits, and users are able to comment on each picture with the ability to share the pictures on their other networks.

This time of year is the perfect opportunity for designers to dynamically and creatively encourage and join this discussion. Fashion fans are chomping at the bit for content from their favorite designers — which is why fashion sites are thriving. These sites and indie fashion bloggers may not have Anna Wintour’s bully pulpit (yet), but they are creating the future of the monthly glossy, and the future of the fashion Marcom system.

Step one is listening and engaging with your customers via social media channels, step two is to create social shopping opportunities and provide easy paths to purchase via social media channels. While designers may be apprehensive in giving up control, social media tools are actually launching pads for designers to strengthen their customer base and ultimately, grow their sales.

Éste es un artículo por Michael Learmonth @ adage.com

It will be at least nine months and probably closer to a year before Microsoft takes over Yahoo’s search infrastructure, theoretically consolidating 28% of the U.S. search market and mounting the first credible challenge on Google in a decade.

But it’s not too early for marketers to wonder if they need to ask: Do we, uh, speak Bing?

One thing is certain: figuring that out is going to amount to a mini stimulus package for digital agencies and search-engine-optimization consultants in the first half of 2010.

Turning up on the first page of organic search results when someone types your product or brand into a keyword box is pretty much the cost of entry for any substantial e-commerce entity or marketer. And for the past decade or so that’s meant pretty much one thing: optimize your site for Google, maybe a tweak or two for Yahoo, and everything else, well, didn’t matter all that much.

«If you were well-optimized for Google, you were pretty much set, because it means you were well-optimized for everyone else out there,» said John Ragals, chief operating officer of digital agency 360i. «The gap wasn’t significant enough to warrant the extra investment.»

But Bing is quite a bit different from Google and Yahoo, both in the way it ranks pages and the way it presents results on the page. And if search becomes more of a two-player market, it could mean a return to the late ’90s, when it was common for marketers to create separate pages optimized for Yahoo, Google, Lycos and AltaVista, and as they do now for the iPhone or other mobile devices.

«You’d effectively have two pages, one for Google and one for Bing,» said Danny Sullivan, editor of SearchEngineLand.com. If all goes according to plan, Yahoo will make the switch to Bing’s organic search results in the third quarter of next year, and then fold in Bing’s paid search results soon after.

«We’ve been getting a lot of questions from clients about the differences,» said Craig McDonald, chief marketing officer of digital agency Covario. «This will have an impact in the first half of next year.»

Shooting for the top five
The big challenge for marketers will be to figure out how to land among the top five spots on both search engines. That is particularly true for Bing, which often shows only five organic results on its first page — after which it groups results into categories. Position six on Google may mean users have to scroll down to see the result; on Bing users have to click to the second page.

«If you are not coming up in the top five [search results] for the very generic terms, you are not getting page-one exposure, which means you are losing out on 70% to 80% of searchers,» said Collin Cornwell, VP of natural search at iCrossing.

That’s a tough challenge for marketers, given that one of the top spots is generally dominated by Wikipedia, leaving really only four slots to make an impression. Or consider the plight of a movie marketer optimizing a film’s lead actor: the top three results are dominated by IMDb, Wikipedia and the actor’s «official» site — leaving only two available.

The upside of having results categorized is there’s an opportunity for aggressive marketers to have more than one listing on a page for non-branded queries — not including whatever paid keyword listings the marketer may or may not be buying. For example, a search for «heart rate monitor» might pull up the website of manufacturer Polar USA in the first five organic search results and it might also pull up, under the video category, a Polar demo of how to use a heart rate monitor.

Bing also offers different placements for photos and video, which means opportunities for marketers that produce both.

Still tweaking algorithm
Fundamentally, Google’s algorithms give more weight to inbound links, while Bing focuses more on the content or the keywords contained on pages. That said, Microsoft is still tweaking Bing, so any strategy formed today might have to change when the integration with Yahoo takes place. And all of this will get shaken up if and when both engines make real-time search of, say, Twitter or Facebook updates part of their strategies.

How much to invest in Bing is a calculation marketers will make this fall as they plan website development and put together budgets for 2010. While each has its own goals and search strategies, if Bing/Yahoo can retain 25% share, it will be too big for most marketers to ignore. And with apologies to Ask.com and others, it will be the first time in years that marketers will be able to optimize for two players and get virtually 100% of the search market.

«You gauge the amount of effort and investment based on its potential return,» said Gregory Markel, CEO of digital-marketing firm Infuse Creative. «If you are killing it on Google and there is room to grow, or if Twitter is delivering traffic to you, you would maximize them first. But if you wake up one morning and Bing has 30% market share, then that’s a different conversation.»

Éste es un artículo por David Neele @ internetnews.com

The one thing the rise of social media’s proven is most of us aren’t couch potatoes. In a wide ranging analysis of social media trends, author Clay Shirky said for years we’ve been operating on a «lousy understandings of human behavior.»

Shirky, author of «Here Comes Everybody,» said that in the 1990s, the prevailing wisdom was most people spent hours watching television because they liked it. He doesn’t deny that the TV remains a popular pastime, but said the rise of social media shows people also want to produce and interact with content.

«Sometimes we like to produce, sometimes we like to share, but we didn’t have media that let us do that» until now, he said in a keynote address here at the Search Engine Strategies conference.

With the rise of Facebook, MySpace, YouTube and other social networks, Shirky said the media landscape is increasing in both size and visibility. He gave several examples of how unpaid bloggers and others Netizens forced companies to change their policies and impacted social change. He cited one example of a blogger in Thailand who posted the first pictures of a coup in 2006 against the government there after the military cracked down on the established media.

«The military hadn’t figured out blogging and she takes one of first photos of the tanks and all the global voice of other media are pointing to her blog,» Shirky said. «All of a sudden, she’s become one of the go-to sites because she committed an act of journalism.»

But in an interesting rejoinder to that story, Shirky recalled how the blogger later posted a more frivolous entry about looking for a new phone with a Hello Kitty design. She was then besieged by comments asking for more posts about the coup. In response, she wrote a post that explained she could write about whatever she wanted to on her blog and, as Shirky summarized, basically said «if you don’t like it, leave.»

«No professional media outlet in the world would tell its readers to buzz off,» he said. The difference with social media, he continued, is the content creators have intrinsic motivations that aren’t, for example, about money.

«We are living in the middle of the largest expansion of expressive capability in the history of media,» Shirky said.

And companies that don’t get it risk losing or alienating customers. He criticized a Johnson & Johnson blog for customers from last year, since updated, that asked readers to limit their comments to Johnson & Johnson but to make any comments on the company’s products at a separate site specific to the product.

Contrary to the intent, the J&J blog «was really a one-way conversation,» he said.

Éste es un artículo por Marguerite Reardon @ cnet.com

As Verizon Communications looks for ways to differentiate itself from its cable and satellite TV competitors, the phone company is adding new social-networking widgets as part of a broader plan to create a Widget Bazaar for its Fios TV service.

The Widget Bazaar is essentially a scaled down version of the increasingly popular wireless application stores that are hitting the market these days. Unlike the virtual application stores being developed for wireless handsets, Verizon’s Widget Bazaar will not be open to a wide range of developers, and the company will retain complete control over what applications are in the Bazaar.

Instead Verizon will provide its software development kit only to a select group of developers, and the applications will be tested and verified for use. So instead of thousands of apps available for download, Fios TV customers will likely eventually see hundreds of lighter-weight widget apps, said Shawn Strickland, vice president of video solutions for Verizon Communications.

The idea behind the Widget Bazaar is to give TV viewers more ways to engage with the TV content they view. And it will offer advertisers, marketers and content owners another way to connect with viewers.

«We are not trying to re-create the PC experience on the TV,» Strickland said during a demonstration of the new features at Verizon’s headquarters in Manhattan. «We’re trying to enhance the TV viewing experience.»

Verizon has already been offering some widgets as part of its Fios TV service. The company first launched these one-click Internet-based applications to provide news headlines and weather to its TV viewers. Then it added widgets to allow viewers to see what other people in their vicinity are viewing and to help them discover popular TV shows.

Now the company is adding widgets for the popular social-networking Web sites Twitter and Facebook. At least initially, each of these applications will only allow users to read and access information. Posting new information will be very limited in the first version of the widgets, Strickland said. This means that users will be able to read updates on Twitter and Facebook, but they won’t be able to update their accounts from their TVs.

In its first version the Twitter widget will offer a more generic Twitter experience. Subscribers won’t be able to access their individual Twitter accounts. Instead they will be able to see tweets from the entire Twitter community based on either a category or topic they’ve selected or based upon what they’re currently watching on TV. The way it works is that the screen is split into two sections. And on one side a small window plays the video, while on the other side of the screen, the tweets fill up the screen.

The Twitter feed could come in handy while watching a live event, like a baseball game or the presidential inauguration, Strickland said. For example, if a Fios TV subscriber is watching the Yankees baseball game, he can continue watching the game while also following a Twitter feed about the game or the team.

Because the Twitter feed comes from the entire Twitter community, it’s not necessary for viewers to even have their own Twitter account. Eventually, Fios TV subscribers will be able to access their own Twitter accounts to tailor the tweets they view from the Fios TV service.

The Facebook widget works in a similar way. Fios TV viewers can continue watching a TV show while accessing their Facebook account on the other half of the screen. When in the Facebook application, Fios TV subscribers can view status updates, photos, and other posted items from their friends or from their own page. Since the application allows pictures to be blown up on a big screen TV, Strickland believes that sharing pictures with friends and family from Facebook will become one of the primary uses of the Facebook Widget.

Unlike the Twitter Widget, which doesn’t allow any updates or posts from the TV, the Facebook widget allows users to update their status based on what they are watching on TV. But other updates aren’t possible in this first version of the software.

Strickland emphasized again that Verizon is not trying to replicate the Facebook experience from the Web on the TV. But he said that other features and functions will be added down the road. For example, in its first release, the Facebook Widget only allows one user account to be accessed per set-top box. In a few weeks, the application will allow multiple Facebook members to view their profiles and their friends’ profiles from a single set-top box.

«We are not trying to re-create Facebook or Twitter for the TV,» he said. «Viewers don’t want to take time out from their TV. But we are trying to bring these social-networking applications to the mass market in a way that enhances their TV experience.»

These two new widgets are just the beginning of what Verizon plans to do with the Widget Bazaar and the Fios TV service in general. The company also plans to add online video viewing to the Fios TV service. Later this month, Fios TV subscribers will be able to search for and view videos from sites such as DailyMotion.com, Veho, and BlipTV. These videos are mostly user-generated or are from independent sources. While Verizon has plans to strike more deals with other online video providers, Strickland said it’s unlikely the company will add access to produced content from sites like Hulu.com or from Netflix’s video-on-demand service.

Most of the new widgets that will be released will be automatically pushed to subscribers’ set-top boxes. And they will come at no extra charge to customers. But some widgets, mostly games, will cost additional money. Verizon already offers some casual games for free as part of the Fios TV service, and they have been a huge success with many subscribers playing the game for an average of 45 minutes each.

One of the main reasons why applications such Facebook and Twitter will initially be consumption-based is because Verizon still hasn’t come up with a really good way to provide textual input into the TV experience. Strickland said the company is considering a variety of options for allowing people to input information and interact with the service. One possibility is using smartphones.

«A lot of people are already using smartphones with our wireless service,» he said. «The device has been paid for and subsidized already, so it makes sense to use it for other things. I think this adds more functionality at a lower cost than developing an advanced remote control. »

Strickland said that Fios TV customers should expect to see new widgets coming online all the time. The company has greatly reduced the amount of time it takes to develop and roll out the new applications. And it’s preparing to introduce a whole slew of new ones in the future. Some widgets to expect in the future include more games as well as widgets developed by programmers and ones to help enhance other online experiences. For example, MTV may want to create a widget to highlight the top song or music video of the day. And Verizon could also offer an online music video widget to stream services like Pandora to the TV.

Verizon’s latest enhancements and the emergence of its Widget Bazaar come as the company turns up the heat on its cable TV and satellite TV competitors. While cable has made some technical strides lately to increase bandwidth and functionality, Verizon increasingly is adding more Internet-focused functionality to its service. Strickland believes this is the advantage that the company’s all-fiber network has over its competitors. Because it has near limitless bandwidth, it has the capacity to offer advanced interactive services.

Verizon will begin rolling out the new Facebook and Twitter widgets on Wednesday morning in markets in six states including New York, New Jersey, Maryland, Virginia, Pennsylvania, and Texas. The rest of the Verizon Fios TV markets will get the update starting Thursday. Subscribers will not need to do anything. The updates will come automatically to their set-top boxes.

Éste es un artículo por Stephanie Clifford @ The New York Times

In an effort to fend off federal regulation, major trade groups in the ad vertising industry have announced stricter guidelines on how their members use and collect online data.

In a report to be released Thursday, a consortium of the trade groups intends to address a growing concern in Washington and among consumer advocates that people are being tracked too much online, with information about their Web surfing, shopping habits and overall interests being collected for advertising purposes.

Congress held hearings on the subject in June, asking executives from Facebook, Google and Yahoo to testify, and the Federal Trade Commission issued a report in February that urged updated principles for self-regulation. All along, most advertisers, agencies and publishers have been arguing that they can keep an eye on their own practices, and don’t need government intervention.

The jump in interest from Washington hastened the report’s release, said Stuart P. Ingis, a partner at the Venable law firm and a lawyer for the trade groups.

“We believe that self-regulation, historically, it’s proven to be far more dynamic and flexible in this area,” Mr. Ingis said. “Legislation is a pretty blunt instrument and we hope, legislation or not, these are the right standards.”

The report, “Self-Regulatory Principles for Online Behavioral Advertising,” reflects several of the commission’s suggestions from February. The principles are meant to go into effect in 2010, affecting the more than 5,000 companies that belong to the sponsoring organizations, including Google, Microsoft, Yahoo, Disney and Verizon.

In one big change, the report instructs members to provide notice, either in an ad or on a Web site (rather than hidden in the privacy policy), that behavioral information is being collected.

“For years, consumer groups, and most recently the F.T.C. and people on the Hill, had been calling for transparency at the time of collection” of data, Mr. Ingis said. “So for the first time — we think it’s a monumental shift — there will be transparency provided across the ecosystem.”

Mr. Ingis said the exact form of the notice had not been decided on — it could be a link that says “Why did I get this?” or “interest-based advertising,” meaning information on advertising based on Web visits and behaviors, he said. “All that is to be determined following the rollout of the principles,” he said. “The requirement is that it be clear, meaningfully prominent and uniform.”

The report also suggests an enforcement process, so that competitors or consumers can bring complaints if a company violates the principles. “Programs will also, at a minimum, publicly report instances of noncompliance and refer entities that do not correct violations to the appropriate government agencies,” the report says.

It also says consumers must approve the collection of “sensitive data” — mostly on finances or health.

Some privacy advocates have been pushing for more stringent rules, saying, for instance, that consumers must explicitly approve all data collection.

Mr. Ingis said that was not feasible.

“If you had that as a default, you would wind up undercutting significantly the economic underpinnings for all the stuff the public loves,” he said. “The way, operationally, that would work is every time a consumer’s doing their Web surfing, you’d be requiring them to click through all these options. Consumers would hate that.”

Another issue privacy watchdogs have raised is that consumers have no access to the data being collected about them — it is all done behind the scenes.

Giving consumers access to the data is “an interesting concept,” Mr. Ingis said, noting that what the companies collect shows up as “a bunch of ones and zeros.”

“The data is in computer wording, programming speak, and to the consumer would mean nothing,” he said.

(A handful of online companies, including Google, have translated the data, however, and have said they will give consumers access.)

“Of course they can give the profile information, the profile information can be translated,” said Jeffrey Chester, executive director of the Center for Digital Democracy, a privacy advocacy group, when asked about Mr. Ingis’s statement. “People need to have access to their entire profile, and this is a thinly veiled excuse so that the companies can retain the data without giving consumers control over their information.”

The announcement of the report includes an advertising campaign to publicize the new standards. Members of the consortium include the American Association of Advertising Agencies, the Association of National Advertisers (which represents companies that advertise, like McDonald’s or General Electric) and the Interactive Advertising Bureau. Their members have pledged 500 million impressions, or views by readers, over the next year and a half to promote the changes.

“I am gratified that a group of influential associations — representing a significant component of the Internet community — has responded to so many of the privacy concerns raised by my colleagues and myself,” Pamela Jones Harbour, a member of the Federal Trade Commission, said in a statement. The report has “the potential to dramatically advance the cause of consumer privacy,” she said.

Charles H. Kennedy, a lawyer at Morrison & Foerster who focuses on communications and advertising and did not work on the report, gives it a mixed review.

“These principles are especially strong in the area of notice or transparency,” Mr. Kennedy said. “It’s a little less clear, I think, on consent and how it’s going to be obtained and what it’s going to consist of.”

He said that although the Federal Trade Commission seemed to be increasing its enforcement in the online-marketing world — last month, it settled with Sears over charges that its marketing software did not disclose all the information it collected — he expected self-regulation would win out.

“What we will see at minimum is the F.T.C. will continue to bring individual enforcement actions, like the one they brought against Sears, that will be intended to signal to industry the kind of practices the agency wants to see,” he said. “It’s sort of an informal way of making rules without making rules.”

He added, “I think self-regulation ultimately is going to be the solution, and this is a big step in the right direction.”

Did you miss the boat by failing to register a trademark URL with Facebook? Are you now scrambling to recover your brand identity from an anonymous Facebook hijacker? Don’t panic. You still have options, both through Facebook and the legal system at large.
Here are your next steps:

1. Register anyway. Even though the URL registration deadline is passed, apply for the house or dominant brand extension for your company Facebook presence. One example is facebook.com/coca-cola. If you don’t have a Facebook account, open one and do this.

2. Consider your options. In some cases, if your branded URL is taken, you may be able to register an alternative address that accurately represents your brand. That said, if you own the rights to a given name, make it your user name so that others cannot take it.

3. File a complaint. If you find someone else at facebook.com/[your brand], and it looks like you or it relates to your industry, initiate a complaint on the IP infringement form. You will need to outline what IP rights are infringed (find IP definitions outlined here) and how the content infringes your rights. The building blocks of intellectual property are:

Trademarks protect identity. Image and name recognition remain essential elements of product and service marketing. This is where you are the most likely to face a conflict in your username registration, because trademarks directly relate to brand identity.

Copyrights protect expressions. This includes a wide range of creative efforts, including writings, drawings, songs, pictures and movies. The mark protects against being copied, and you must actively manage, secure ownership, register, license, protect and defend those rights.

Patents protect ideas. A patent gives its owner the exclusive right to make, use and sell the patented technology for a limited period. A strong patent can exclude competitors from the market and is often the only thing protecting small, innovative companies from larger, wealthier competitors.

4. Facebook reserves the right to remove and/or reclaim any username at any time for any reason, so there is hope if you are justified in the reasoning behind your IP infringement form.
Get help. If Facebook does not resolve the issue to your satisfaction, consult a trademark litigator. IP law firms work with companies to safeguard their marketing and branding efforts everyday.

5. Remember, the trademark litigation process will require you to prove the worth and strength of your brand. In litigation, trademark registrations are valuable. Detailed record-keeping (including all revenue and expenses, advertisements, website traffic, media coverage and customer testimonials) demonstrates the brand’s commercial strength and are also valuable. Strong brands receive broader protection from the courts.

Pursuing a traditional legal course of action may seem like a giant leap, but it is necessary where marks are used in an unfair or confusing manner. Many brand owners don’t realize that newer technologies such as webpages and software are protected by copyright and trademark laws just as much as traditional works such as art, photography and architecture. As marketers, you understand the work that goes into establishing a successful brand. The new frontier of online marketing on social networks like Facebook demands that you must also familiarize yourself with the legal procedures that are readily available to protect it.

Éste es un artículo por Kristen Schweizer @ bloomberg.com

Twitter Inc. plans to generate its first revenue this year from companies such as Dell Inc., Whole Foods Market Inc. and Starbucks Corp., which use the micro- messaging site to communicate with millions of customers.

“The idea is if they are getting value out of Twitter then we could add more value to what they are doing and we could get some revenue,” Twitter co-founder Biz Stone said in an interview today. “We think we’ll get to something this year, however simple, that shows we’re making some money.” He declined to give sales estimates for this year.

The San Francisco-based service could make money by verifying Twitter accounts, said Stone, so users “following” brands would know it was really Whole Foods or Coca-Cola Co. sending Tweets, or instant messages that can be 140 characters long. Twitter could also offer statistics to businesses detailing how effective their Tweets are and offer multiple accounts to large businesses with many branches, he said.

Twitter had an estimated 18 million users in May and has grown into the third-largest social-networking site, according to research firm ComScore Inc. Facebook Inc. is the largest, with 307.1 million users in April, followed by MySpace with 126.9 million. Stone, 35, shot down talks of a buyout by Microsoft Corp. or Google Inc.

“We’re not having those acquisition discussions, we’re not engaging in them,” he said in during the 56th annual Cannes Lions Advertising Festival, which takes place this week.

Venture Funding

Twitter, which can be accessed on via computer or mobile phone, counts among its users celebrities such as Paris Hilton and Lindsay Lohan, large companies including Dell and Starbucks and startups seeking to attract an audience cheaply.

Dell said it earned $3 million in revenue through Twitter since 2007, according to a New York Times report on June 15.

Twitter has held four rounds of venture funding since its start in 2007 and isn’t currently seeking more funds, Stone said. Media reports have put the total funding figure at $57 million, which Stone didn’t dispute.

When asked how long the hype around Twitter could last, Stone said he’s realistic about Internet trends.

“This kind of stuff doesn’t last forever and you have to have a healthy attitude toward it. Far be it from me to say when it would end, that would be a total guess.”

Éste es un artículo por Stephanie Clifford @ nytimes.com

ON a recent Thursday, Darren Herman, the president of Varick Media Management, was sequestered in his SoHo office. He wasn’t scrutinizing a television ad or images from a photo shoot. He was combing through graphs and Excel spreadsheets.

Mr. Herman had run 27 ads on the Web for his client Vespa, the scooter company. Some were rectangular, some square. And the text varied: One tagline said, “Smart looks. Smarter purchase,” and displayed a $0 down, 0 percent interest offer. Another read, “Pure fun. And function,” and promoted a free T-shirt.

Vespa’s goal was to find out whether a financial offer would attract customers, and Mr. Herman’s data concluded that it did. The $0 down offer attracted 71 percent more responses from one group of Web surfers than the average of all the Vespa ads, while the T-shirt offer drew 29 percent fewer. And Mr. Herman didn’t just compare the messages in the ads — he also looked at the sites where they ran, when they ran and what groups of people responded.

From the “Mad Men” era until now, advertising has been about a catchy tagline, an arresting image, the Big Idea. But Mr. Herman and his competitors are bringing some Wall Street-like analysis to Madison Avenue, exploiting the huge amounts of data produced by the Internet to adjust strategy almost instantly.

“It’s putting numbers to an industry that never had numbers before,” says Mr. Herman, 27, who started and sold three media and technology companies before founding Varick last summer. “It’s nice to be able to tell your brand manager or the chief marketing officer which audience is interacting with the unit, what time of day, what day of the week, and what the response is on certain types of offers. Before, nobody could really tell you that.”

This approach turns marketing “upside down,” says Ron Proleika, the vice president of marketing communications at Windstream Communications, an Internet service provider and a client of Mr. Herman’s. “It forces marketers to stay on their toes and think of thousands of small great ideas instead of one great big one.»

Major advertising holding companies like WPP, the Publicis Groupe, Havas, MDC Partners and the Interpublic Group are starting data practices, hoping to latch onto what is expected to be the fastest-growing category of online advertising in the next five years.

Where the data guys were once an afterthought in a marketing presentation, now they are at the core of the online strategy. What’s more, they can help advertisers save money in traditional media by testing different phrases or images online to see what works before producing an expensive television commercial or magazine ad. Who attracts more clicks in a grape juice ad, for example — the blond girl or the brown-haired boy?

The shift to data-based campaigns is forcing marketers to learn new skills and drawing a new breed of worker to Madison Avenue. While most data executives now in the field came from media backgrounds, they are recruiting Wall Street math geniuses because the job requires hourly adjustments in strategy based on numbers.

Mr. Herman is trying to hire people from Citigroup and Bank of America, and he hopes that the layoffs in the financial industry will help him do it on the cheap.

“It mirrors the financial markets in many ways,” he says, so “that’s where we go.»

Still, getting advertising agency employees to rely on data is difficult, agencies say. And as people trained on Wall Street migrate to Madison Avenue, executives anticipate battles between creative types and wonks.

Traditional ad agencies still don’t have budgets that allow for a lot of digital experimentation, Mr. Herman says. He notes that most traditional agencies “make the bulk of their money in print, radio and television.”

So even as this area becomes increasingly technology-driven, old ways of doing business and clients reluctant to embrace radically new approaches mean that the advertising culture won’t change overnight.

“At the end of the day,” Mr. Herman says, “the entire process isn’t digital because our clients aren’t.”

Until the Internet, advertising required heavy research at the front and back ends. Millions of dollars went into television and print ads, so the advertisers had to get the idea right before they produced one. Determining the effectiveness of those ads was hard. It required follow-up surveys and interviews. And once advertisers began a campaign, they were locked into it — they usually booked TV spots four months before the season began, for instance, and even if a show tanked, they couldn’t always abort their plans.

“In the olden days, the consequences of planning were great, so we’d spend nine months before air date” doing research, says Barry Lowenthal, the president of the Media Kitchen, a media planning and buying company that, like Varick, is a unit of MDC Partners. “Then, nine months after we’d been running the ad, we’d finally figure out whether it was working or not.”

Online, though, advertisers get instant measurements and can make instant changes to a media plan.

Varick and its handful of competitors cement their strategies around a system called exchanges, a mechanism that helps online publishers like NBC.com or Yahoo.com sell ad space. While publishers have some ad space no company would bid on in advance — few advertisers would book a random Yahoo mail page, for instance — publishers still want to show an ad when someone loads that page. So the publishers let an ad exchange like Right Media, from Yahoo, or DoubleClick Advertising Exchange, from Google, sell that space instantly, through an electronic auction, and get a cut of sales.

Such random, seemingly unwanted space could be virtually worthless. But because ad agencies can now use multiple sources to gather very specific demographic data about visitors, such space gains value and can be brokered on an exchange.

Among the sources agencies rely on for data-mining is information gathered from other sites. Imagine that every time someone entered a store while shopping, she received a stamp on her hand. By the time she got to Macy’s, the clerk could see she had visited Williams-Sonoma and Home Depot and could direct her to housewares. A similar principle is followed online.

When someone visits a site like Expedia or Autobytel.com, that site captures valuable information: Someone is a first-class traveler, for instance, or shopping for a hybrid car. Those sites have deals with data companies, like BlueKai and eXelate, to place a so-called cookie — a small text file — on that visitor’s hard drive, indicating those preferences. An advertiser like Varick bids on those cookies, instructing an exchange that it will pay a certain amount for an ad when a certain cookie is for sale.

Other companies, like Media6Degrees and 33Across, analyze the world of social media, using cookies and interaction data to find “lookalike” groups among friends on Facebook, Flickr or other social sites. Their theory is that friends share values and are likely to respond to similar marketing messages.

Finally, companies can add cookies for anyone who visits pages on their sites — if someone gets to the checkout page, then abandons his shopping cart, the company will probably pay lots of money to advertise to him again.

This combination — real-time data and ad exchanges — has monetized what was once considered throwaway space online. ThinkEquity, a research firm, estimated that advertising based around Web publishers’ extra space brought in $4.1 billion in 2008, up 32 percent from 2007, and it expects it to be the highest-growth segment of the online advertising market between now and 2013, outpacing even search. (It is still a small part, however, of what ZenithOptimedia, a media agency, estimates to be the overall $487 billion advertising market.)

All this tracking has raised privacy concerns. Some privacy advocates have asked Congress and the Federal Trade Commission to investigate the issue, seeking clear policies about sensitive data, more information on the way companies are tracking consumers and options for consumers to avoid online tracking.

So far, the commission has recommended that the industry police itself. But Jon Leibowitz, one of the commissioners, warned in February that the industry needed to do a better job or face new laws and regulations.

Without much regulation, says Michael Brunick, vice president and media technology director for Cadreon, a competitor of Varick’s, “the data game right now is a little bit of the Wild West.”

WITH so much information to trade on, several advertising firms are creating their own data-based practices.

“We have, over the last year or so, gotten more and more interested in the ways that you can use data to make advertising more effective online,” says Matt Greitzer, the vice president of search marketing and auction-based media at Razorfish, which is building its exchange group.

In addition to what an ad should say, and where and when it should run, advertisers have to figure out how much each ad, or “impression,” is worth. The data helps them do that. “You’re making, in some cases, real-time decisions about how much to pay for a specific impression,” Mr. Greitzer says.

In a simple example, if an advertiser knew that his ads attracted more clicks on profiles.yahoo.com than on movies.yahoo.com, he would pay more when space was auctioned for the first site.

Edward Montes, the managing director for North America at Havas Digital, who oversees its exchange group, says that his data analysts are “basically looking for anything that affects performance — any time they find variance in the matter of how the media performs, that’s what they go in and exploit, and that’s what the exchanges are perfectly set up to do.”

As data executives continue to build on their research, this arena could resemble Wall Street even more: yield managers could hedge their purchases, buy futures to lock in prices and use other trading strategies. And this type of sophisticated testing and trading will require changes in clients’ attitudes.

Mediabrands, a unit of the Interpublic Group, has been quietly running a data practice called Cadreon for nine months that it soon plans to roll out more publicly. In addition to buying standard Web site ad space, Cadreon also buys mobile advertising, online video slots and, soon, spots on digital billboards and other new media.

Traditionally, marketers allocate certain amounts of money for each medium. Quentin George, the interim chief executive of Cadreon and the chief digital officer of Mediabrands, says Cadreon instead would base its strategy on the audience, not the medium.

For a campaign it’s now running for a technology client, Cadreon bought data on visitors to Web sites of the client’s competitors. It divided them into groups that its client already used to segment existing customers offline — like new parents, gamers or designers.

By examining clicks and other data, Cadreon determined the demographic profile of groups that were most interested in the ads. In this particular campaign, new parents responded at high rates so Cadreon emphasized pitching ads online to that group.

As more ads are bought and sold through exchanges, it could transform the ad marketplace. “It is foreseeable that you can go into the system, select an audience and not know whether you are ultimately buying” a cellphone ad or a video ad on a Web site like Hulu, Mr. George says. “That’s a very, very big change.”

Este es un artículo de Víctor Solís @ eluniversal.com.mx

Con la gran influencia que han tenido las redes sociales en nuestras vidas, no es para sorprenderse que también puedan tener algún impacto en nuestras muertes.

Mediante sitios como Facebook o Twitter tenemos acceso instantáneo al día a día de miles de personas, y en ocasiones es inevitable preguntarse qué pasará con todos esos perfiles cuando ellos ya no estén: ¿la muerte real equivaldrá también a la virtual?.

Entre gente despedida por su trabajo por posts en redes sociales, personas que saben de sus divorcios sólo por este medio e historias de quienes se reúnen con seres queridos después de años de ausencia gracias estos sitios, no suena nada descabellado poder enterarse del deceso de alguien por esta vía.

Con tantas aplicaciones y usos, Facebook no es más una red social sólo para mantener comunicación, sino un sitio para honrar y rendir tributo a aquellos seres queridos que en algún momento formaron parte de esta gran red y que han fallecido.

¿A dónde va tu perfil cuando mueres?

Después de la masacre de Virginia, en la que murieron 32 personas a manos de un sujeto armado que disparó contra ellos en la Universidad Tecnológica de esa entidad, en Estados Unidos, los perfiles de los fallecidos se inundaron pronto de pésames y pensamientos para recordarlos.

Ante esto, la red social cambio su política. Ahora, cuando alguno de los millones de usuarios muere, existe la opción de llenar un formulario con los datos del occiso para que su perfil se transforme en una cuenta post mortem  y sus amigos le puedan rendir un homenaje.

Quien informe sobre el deceso deberá saber el nombre y apellido del propietario de la cuenta, su fecha de nacimiento, el correo electrónico que usaba para conectarse, así como informar y comprobar ante el equipo administrativo de Facebook la relación que se mantenía con esa persona.

Cuando esto ocurre, la información más sensible, como las actualizaciones de estado, son eliminadas. Además, automáticamente se restringe el acceso al perfil sólo para sus amigos. En caso de que sea solicitado por algún familiar cercano, la cuenta también puede ser cerrada permanentemente, según se informa en el mismo sitio de internet.

Viviendo el «luto en línea»

Tras la muerte de un ser querido, el luto es una de las etapas más difíciles por las que tienen que atravesar familiares y amigos. Aunque a algunos les podría parecer una falta de respeto vivir un «luto en línea», para otros podría significar la única opción de honrar y recordar a ese ser querido que se ha ido.

Crear un grupo especial en memoria del fallecido en Facebook permite a sus allegados en cualquier parte del mundo compartir recuerdos, anécdotas, fotografías y videos de sus mejores momentos en vida. De igual forma, se pueden enviar mensajes de aliento a la familia cuando no se está presente para darles el pésame.

Enterarse de la muerte de alguien a través de una persona cercana siempre es impactante; ahora bien, enterarse de esa muerte a través de una red social debe provocar una sensación totalmente distinta y shockeante. El hecho es que las redes sociales influyen cada día más en nuestras vidas… al grado que están comenzando a influir también en nuestras muertes.